….You realize, of course, that Hermione Granger lit a teacher on fire when she was eleven, and kept a person alive in a jar for a year when she was fourteen, and studies dark and forbidden magics for kicks, and is one of the brightest and strongest witches of her era. If she came at me, even wandless, I would aparate to Neptune to get away from her.
Hermione Granger also:
- punched Draco Malfoy in the nose for being an idiot
- purposefully performed a confundus charm on whatshsface WHILE HE WAS FLYING just so Ron would win (omfg that is so fucking dangerous)
- literally pulled a fucking Bourne Identity on her parents and managed to set them up in fucking Australia (jesus christ she literally made it so that she NEVER EXISTED wtf that’s so fucking 007)
- Convinced the Ministry of Magic to give her an incredibly dangerous and volatile device that allowed her to ALTER TIMELINES COMPLETELY (just because she was so smart, literally, that is the reason, her “potential”)
- Has enough basic survival skills and badass magic to literally disappear to the middle of nowhere and flourish AND figure out Voldemort’s plot with Harry
- Hermione also figures out not only what Voldemort’s plan is, but generally how to beat it, WAY BEFORE VOLDEMORT EVER DOES. Why? because she is just that much smarter and better at magic than everybody else
in conclusion: Voldemort wishes he could be as awesome as Hermione, that’s why he wants to kill her so bad.
Can we rehave this series with hermione as the protagonist.
Hermione Granger and “That Time I Used the Power of Research and Deductive Reasoning to Make Sure Harry Didn’t Die”
Hermione Granger and “That time I figured shit out and literally ended up petrified for the cause and it took my friends weeks to figure out that I had the research on me”
Hermione Granger and “That Time I Was a Time Lord”
Hermione Granger and “That Time I Realized I was Hot and Smart and Saved Harry’s Ass with Research. Again. All the Time. Really, He Would Have Died Without Me.”
Hermione Granger and “That time Harry was too emo to actually do shit so I did shit in his name because I am the power behind the throne clearly also PS fought evil deatheaters and won”
Hermione Granger and “That Time I told Harry about the Dangers of Copying off Somebody’s else’s work that wasn’t mine and OH LOOK I WAS RIGHT”
Hermione Granger and “That Time I let Harry Decide Where to Go and What To do and we ended up wandering the forests of dean for like 5 months before saving his ass at Hogwarts”
Ronald Bilius “Ron” Weasley (born 1 March, 1980)
Dumbledore judges the people he works with based first and foremost on how loyal they are to him. Not because he thinks he’s all that, but because, as I said, he views people as game pieces, and you can’t have your game pieces acting up, can you? He values his pieces. He wants to advance and protect them. But he doesn’t want them running off beyond his sphere of influence and doing their own thing. I think there’s something very ambiguous about Dumbledore’s habit of seeking out desperate, socially outcast people and doing them one or two huge favors that leave them bound to him for life. Remus, Hagrid and Snape all fit that pattern, and Trelawney and Firenze appear to join the ranks in OOP. It kind of makes me wonder what Dumbledore has done for Fletcher, Moody and Shacklebolt.
The members of the Order appear to have pretty much internalized Dumbledore’s view of things. They view him not only as their leader, but as their conscience. Hagrid believes everything Dumbledore believes, and would never question or disobey him. Snape doesn’t seem to believe what Dumbledore believes, but still toes the line until the Occlumency lessons in OOP push him beyond his breaking point. In GoF, Snape’s most emotionally vulnerable moments are the ones where Fake!Moody suggests that Dumbledore may not trust him. Remus, confessing his sins in the Shrieking Shack in PoA, feels guilty not so much because he endangered lots of innocent people, but because he betrayed Dumbledore’s confidence. “Dumbledore says…” is the running refrain on pretty much everyone’s lips throughout OOP — except for Harry and Sirius, whom Dumbledore has effectively abandoned.
Speaking of Sirius, Dumbledore’s attitude towards him now begins to make more sense. (For an excellent discussion of Dumbledore’s treatment of Sirius, see this post by darkkitten1. No reason for me to rehash her arguments here.) The problem with Sirius is, he’s not loyal to Dumbledore at all; he’s loyal to Harry. From Dumbledore’s point of view, it’s as if he’s playing wizard chess, and one of the knights suddenly decides that he doesn’t care what happens to the king, he’s just going to take care of that little pawn on the left. So Dumbledore does the only thing he thinks he can do — he sticks his recalcitrant knight into a safe, isolated corner of the board and keeps him from making any moves. Perfectly sensible and strategically sound, as long as you don’t expect your game pieces to have any pesky emotions or psychological issue that need to be taken into account.
Ron’s just like ‘srsly tho, we’ve been dealing with this shit since 1st year. Dude’ll be fine, you watch. He’s gonna be walkin in those doors in like three seconds carrying a flock of unicorns he saved from an acromantula’
THE MAGIC BEGINS
↳ A scene you really wanted to be in the movies, but wasn’t - Potions riddle
The basic plot, which cannot be ignored even in the films, is that Harry, Hermione and Ron give up everything for their political struggle. They drop out of high school, they go illegal, defy the government, belong to an underground organization [The Order of the Phoenix], operate out of safe houses and forests and even raid offices of the government and banking offices. This is all done in principled opposition to the Dark Wizard Voldemort and a corrupt bureaucratized government that has been heavily infiltrated with his evil minions. This is revolutionary activity. But the movie version does not present it as such or emphasize these radical aspects of the plot, thereby entirely missing the dramatic sweep and action present in the first half of the last novel.
The novels recognize the importance of alternative media for political struggle. The mainstream press [The Daily Prophet] is shown as unreliable and unprincipled, eventually deteriorating into a fear-mongering propaganda machine for the Voldemort-controlled bureaucracy. For a while the alternative but above ground media [The Quibbler] publishes the real news, but it ceases to print after the daughter of the publisher is kidnapped. In the book, friends of Harry [Lee Jordan, with Fred and George Weasley as frequent guests] start broadcasting the real news from an underground radio station, encrypted with a password. This radio station becomes a critical link for the resistance, which is scattered and weak. Although we are treated to some radio broadcast updates in the movie, they are delivered by a disembodied and professional sounding voice, not our friends the Weasleys. This undermines the important message - a guiding principle behind the media coop - that in a serious situation it becomes necessary to produce your own media and not to rely on ‘professionals’.
The novel makes it clear that in this phase of the struggle the characters romantic lives take a backseat to their political activity, as Harry breaks up with the love of his life [Ginny Weasley] so as to avoid making her a target for Voldemort’s forces, who are known to use torture and kidnapping as tactics. The ‘love triangle’ that becomes the focus of the movie isn’t even really present in the books. In the books, the relationship between Harry and Hermione is totally platonic - Ron is shown as jealous, but the feeling is entirely without foundation. In the book Harry says to Ron: “I love her like a sister and I reckon she feels the same way about me. It’s always been like that. I thought you knew” (pg 378, DH US Hardback). This conveys that men and women can be close comrades and friends without being involved romantically. But in the film, Harry and Hermione are shown dancing romantically, and Harry’s line to Ron about his brotherly feeling towards Hermione does not even make it into the film. This completely undermines the important message that jealousy is counter-productive and has toxic effects, which is an important feminist message for young people.
CAN WE ALL JUST APPRECIATE POTTER’S HAIR IN THIS
THIS IS HARRY’S HAIR, NOT THE SHIT DO’S HE HAD IN THE OTHER MOVIES
HE IS HARRY POTTER HERE
BLACK MESSY STICKING UP IN EVERY DIRECTION HAIR